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Bicycle Thieves (Italian: Ladri di biciclette; initially titled The Bicycle Thief in the USA) [3] is a 1948 Italian film directed by Vittorio De Sica. The film follows the story of an inadequate daddy browsing post-World Battle II Rome for his taken bicycle, without which he will lose the job which was to be the redemption of his young family members.

Adapted for the screen by Cesare Zavattini from a novel by Luigi Bartolini, and also starring Lamberto Maggiorani as the desperate papa as well as Enzo Staiola as his plucky young child, Bike Burglars is commonly considered as a masterpiece of Italian neorealism. It got an Academy Honorary Award in 1950 and, merely 4 years after its launch, was regarded the greatest film of perpetuity by View & Sound journal's survey of filmmakers as well as doubters; [4] fifty years later on the exact same poll ranked it sixth among greatest-ever films. [5] It is additionally one of the top ten among the British Film Institute's list of films you must see by the age of 14.

In the post-World Battle II Val Melaina neighbourhood of Rome, Antonio Ricci (Lamberto Maggiorani) is determined for work to sustain his partner Maria (Lianella Carell), his boy Bruno (Enzo Staiola), and also his small infant. He is offered a position publishing marketing costs, but informs Maria that he can not accept because the task requires a bike. Maria resolutely removes the bed of her dowry bedsheets-- valued possessions for an inadequate family members-- as well as takes them to the pawn shop, where they bring enough to retrieve Antonio's pawned Fides brand bicycle. (An unforgettable shot shows the sheets being contributed to a mountain of bedding pawned by various other family members.) They cycle home-- Maria on the bar-- rejoicing in their good luck. Along the road, Maria insists that she has to see somebody. Antonio finds that it is a seer who had prophesied that Antonio would find work and that Maria owes her cash. Antonio is derisive of Maria's confidence in the seer, and teases her concerning investing money on such foolishness.

On his initial day of job Antonio is atop a ladder when a young man (Vittorio Antonucci) snatches the bike. Antonio offers chase yet is thrown off the path by the thief's confederates. The cops take a report however warn that there is little they can do. Encouraged that swiped products often surface at the Piazza Vittorio market, Antonio goes there with numerous friends as well as his small boy Bruno. Finding a bike that may be Antonio's they summon an officer, but the serial numbers do not match.

At the Porta Portese market Antonio and Bruno spot the thief with an old guy. They pursue the burglar however he eludes them. They then confront the old male requiring disclosure of the burglar's identity, yet the old male invents ignorance. They follow him right into a church where, after interfering with the company, he slips away from them. Bruno, after this most current loss, appears upset before his daddy that upon seeing this puts his kid, considerably upsetting the child. Antonio has Bruno wait by a link while Antonio look for the old male. Instantly there are cries that a child is sinking. Rushing towards the commotion Antonio is eliminated to see that the sinking child is not Bruno. Antonio deals with Bruno to lunch in a restaurant, where they for a moment neglect their problems, but on seeing an abundant family delighting in a great dish, Antonio is once more confiscated by his disaster as well as tortures himself by thinking his lost incomes.
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